THE SETUP
Behind the board, but always in the music.
I work where music meets movement, in that space between emotion and precision.
What I do is simple to describe, but never simple to execute: I make live sound work.
Every artist, every venue, every night is different. That’s why I design setups that adapt systems that are clean, solid, and reliable. I care about how things sound, but even more about how they feel.
My work starts long before showtime: planning signal flow, working hand in hand with the rest of the crew, and making sure every detail supports the performance. When everything is connected; gear, team, artist, crowd, that’s when the magic happens.
I’ve spent years building and running setups for artists and productions around the world. Each show teaches me something new about space, rhythm, and people. It’s never just technical work. It’s collaboration.
Because great sound doesn’t just come from good gear.
It comes from communication, trust, and a setup that lets the music breathe.
